September 9th, 2012
What an adventure it has been, Poets.
Festivals, friends, music, weddings, and more sunrises than an old man like myself should watch. A beautiful summer. Never let it end.
The busiest days of summer are behind us, but there’s always more coming up and you can find that in the shows section. If you want to see what we’ve been up to, there’s some archived pages down below.
Most significantly, I think, I’ll be opening for the incomparable Jenny Ritter for a few of her album release dates. Again, look over in the shows section.
I miss you already, and I’m scheming as hard as I can to get to see you as soon as possible.
If you’re stopping by for the first time, you should know we (David Newberry & Friends) recently eleased a record. It’s called No One Will Remember You. Our friend Ryen at KomradeStudios kindly made this visual montage to the tune of one of our songs. Check it out:
Album wise, you can stream it and buy it at Bandcamp or on iTunes. And the uptight critics who really run the show are digging it. Par example:
For example:
CBC Music says that “Newberry doesn’t sacrifice lyrical creativity even when he’s making noisy, guitar-driven tunes…” and jokes that “rumour has it that if you hold an English Bay seashell to your ear, you can faintly make out the sounds of his roving music.”
Exclaim! Magazine thinks that: “Newberry can be filed alongside the likes of young troubadours like Jerry Leger and Corin Raymond as evidence that Canadian roots music is in good hands.”
No Depression kindly set aside their only-banjos approach to roots music and suggested that: “While other singer-songwriters talk about their storytelling skills and their ability to draw you into a song, Canadian singer David Newberry delivers. His new album “No One Will Remember You” is packed with beautifully crafted songs, the kind of music that has to be made by hand with great care. Coupled with his beautiful voice, you have quite the package… His songs are gently sad, almost wistful, possibly exhausted: really the only emotions we have anymore in a world on the brink…. a refreshingly ego-less perspective that’s unfortunately very rare.”
Alan Cross (yeah) says that Newberry has “equal parts ‘The River’ era Springsteen and Neil Young folk rock elements in his music,” and say’s we’ve made a “Soulful, really impressive sophomore album.” That’s pretty cool, right?
Megaphone Magazine observes that “Newberry’s style and sound straddle both folk and rock, and the album can feel both light and dark, somber and uplifting at the same time.”
Roots Music Canada says the record is full of “Songs. Real songs, together with a sound that’s strong enough to set him apart from more everyday singer-songwriters.”
ThoseWhoDig say: “Ripe with nostalgia, infectious melodies, and a comfortable feeling of song familiarity Dave Newberry’s new release is a must have.”
Victoria’s Martlet says: “Alive with bright pedal steel and a sort of critical Canadiana, the album is flushed with sentimentality for Newberry’s home country as well as a frustration with its many ailments… Lyrical craftsmanship of a consistent calibre is the heart of this album.”
Vancouver Weekly graciously states that: “Newberry’s cheekily-titled sophomore effort, released through Vancouver’s Northern Electric label and produced by Adam Iredale (of Fish and Bird), amplifies the momentum created by his 2010 solo debut, When We Learn The Things We Need To Learn.”
I am out on the road as often as I can be right now promoting this album. Find all the info in the shows section.
In the mean time, sign up to the email list below and I will keep you tastefully informed of my thoughts and concerts. Come home to me.